Archive for April, 2008

Gwyneth Paltrow tells John Hiscock why she stopped making films …

Wednesday, April 30th, 2008

Source: Telegraph.co.uk (Original Article)

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Life and death

Sunday, April 27th, 2008

Source: NewsOK.com (subscription) (Original Article)

Life and death
The Supreme Court has ruled 7-2 that the death penalty by lethal injection in Kentucky, which uses a cocktail of three drugs, is not a violation of the Constitution’s prohibition against “cruel and unusual punishment.” Other states, which had placed their lethal injection methods on hold pending a court ruling, are now expected to proceed. No news report I saw appreciated the irony of the 7-2 vote, the same margin by which the court decided in 1973 that unborn babies could be killed in any manner, with or without drugs to dull their pain.

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As death penalty opponents on and off the court lament the execution of yu gi oh gx cards convicted murderers who are getting their …continue reading

Nigeria: Ogbulafor

Thursday, April 24th, 2008

Source: Democracy And Its Sworn Enemies - AllAfrica.com (Original Article)

"I will be 101% loyal to President yar’adua" "I don’t care if Nigeria becomes a one-party state…. We said we are going to rule this country for the next 60 years and we mean it." — Vincent Ogbulafor, Chairman, PDP

A schoolboy essay on chief Vincent ogbulafor, the national chairman of the ruling political party in our country, the PDP, will best summarise the man’s political character in a few words that possibly will read this way: "a colourless character not known to stand for any ideals or principles (and therefore likely to stand for anything depending on who his puppeteer is), and unable to author any original thoughts that can edify society"! This neat summary came to my mind this week when I commenced thought on the first few sound bites that have so far emanated from the man that was imposed as the national chairman of the PDP a few months ago.

Vincent ogbulafor is an expression of everything that is wrong with Nigerian politics: the manipulative propensity that has made politics the preserve of the most irresponsible elements of the nation’s elite; the crass opportunism which suffocates life out of political culture and the triumph of the worst elements of prebendalism. Ogbulafor was imposed as party chairman at a point when the PDP needed to make a renewed effort at responsiveness to the popular feeling and away from the authoritarian bear hug it has suffered under Obasanjo. Unfortunately for Nigeria’s political progress, ogbulafor’s imposition merely raised hope, but it was never really going to amount to much: a lot of motion without movement.

The problem with the types which come in the political shape of Vincent Ogbulafor is that they do not possess the breadth of political vision; the intellect and principle to lead change. Ogbulafor is not known for any grand political idea or any seriously instructive ideological conviction able to lead change. At best an apparatchik House And Garden Article 4508 of the very colourless hue and …continue reading

Fast Tuesday links

Monday, April 21st, 2008

http://filmstudiesmcd2024.blogspot.com/2008/04/week-4-story-and-script.html
To make notice for the reader when a new character is introduced in the movie, or it can also represent sound effects. For example, Jason realizes a cell phone is RINGING, it is from the girl sitting behind him, SUSAN, dark hair,

http://web2.minasi.com/forum/topic.asp?TOPIC_ID=26672
Got this script to move mailbox from one SG to another … Gives me error something like ….An invalid ADSI path was passed … Help Please! strServerName = “X03DC” strDomain= “dc=LAB,dc=LOCAL” strUser= “Sacha Darcisse”

http://www.screenwronger.com/2008/04/resubmitted-and-moving-forward.html
Just a quick update, I’ve resubmitted “Behind Suburbia” to the Script PIMP development service, I’ve requested the same reader so they can see the progress I’ve made and that I actually paid attention to their suggestions.

http://comicsworthreading.com/2008/04/22/12-reasons-why-i-love-her-best-of-2006/
And that’s necessary, because Jamie Rich’s script relies on her art — he’s comfortable letting the images tell the story when needed. The reader gets to see the leads interact instead of being told what they’re thinking and feeling.

http://thefinal-glimpse.blogspot.com/2008/04/yayeeee-since-ive-got-nothing-better-to.html
the Reader’s Theatre thing . Sounds fun, cause my eyes were focus on the paper . Like comedy . Then after that bused home && bathe le, comped till now . Hmms, haven started on the English Compre thing & the script . Oops .

http://robblanum.wordpress.com/2008/04/21/which-story-should-you-write/
one of their readers wanted more comic book superhero action. He said this is what the audience expects and what the genre provides, and despite an action-oriented opening and climax, my script suffers from a lack of it.

http://tixife59.blogspot.com/2008/04/javascript_21.html
reaction timer script | javascript reader | javascript recursive tree | javascript redirect | javascript redirection | javascript reference | javascript reference ANZ First Card manual | javascript reference opener | javascript referencing session

’script reader’ on the web

Sunday, April 20th, 2008

http://featuresblogs.chicagotribune.com/entertainment_tv/2008/04/aspiring-tv-cre.html
Stage direction in scripts should not be overly detailed. Writers should leave room for a director to put his creative stamp on a script. A good TV script gives the director “a blueprint” to work from and doesn’t attempt to micromanage

http://dannystack.blogspot.com/2008/04/story-vault-format.html
For the flashbacks/intercuts/montage/telephone call, have you taken the reader ‘out of the story’ because you’ve formatted it to death. If the reader can read the script and follow the action, then no problem, job done.

http://bormaley.com/techmetods/instrumentyi-rss-ogromnyiy-spisok.html
script to copy paste or download. Grazr: Creats an interactive linkroll/rss reader from OPML. Optimal Widget Generator: from OPML; Opod: AJAX OPML and RSS viewer widget; Wizz RSS Reader-publish: Let’s you publish your online Wizz

http://readingmagick.blogspot.com/2008/04/i-am-legend.html
Pictures began developing I Am Legend in 1994, and various actors and directors were attached to the project, though production was delayed due to budgetary concerns related to the Accountants in VIC beginning with L script. Production began in 2006 in New York City,

Sir Antony Sher struggled to bring Primo Levi's story to stage

Saturday, April 19th, 2008

Source: Sun-Sentinel.com (Original Article)

Sir Antony Sher struggled to bring Primo Levi’s story to stage

By SARAH LYALL |
The New York Times
April 20, 2008

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The difficulties in writing and performing Primo, Sir Antony Sher’s one-man play about the author and Auschwitz survivor Primo Levi, seemed at first insurmountable.

There was the skepticism of the Levi estate, which had a policy of saying no. There was Sir Antony’s conviction that Auschwitz could not be portrayed onstage or in film in any traditional way. And there was the problem of the ending: how to reflect Levi’s brave, reassuring decision to embrace life after the Holocaust while also acknowledging the tragedy of his apparent suicide decades later.

Sir Antony finally decided to leave out the manner of Levi’s death, restricting the play to Auschwitz as Levi remembered it in If This Is a Man, his postwar memoir. Primo, which won raves at London’s National Theatre in 2004 before transferring to Broadway in the summer of 2005, ends with the liberation of the camp by the Russian Army on Jan. 27, 1945.

“Levi lived an amazingly full life,” Sir Antony said. “In the end, his book and my piece are entirely about survival.”

Primo, which comes to the small screen Thursday as part of the PBS series Great Performances, was “probably harder to do than anything else I’ve done or anything else I will ever do,” he said.

Best known as a movie and stage actor — he has performed ANZ Frequent Flyer with the Royal Shakespeare Company for …continue reading

Back to the Swinging Sixties with Melvyn

Friday, April 18th, 2008

Source: Irish Independent (Original Article)

Remember Me. . .

By Melvyn Bragg

(Sceptre, €17.99)

For 30 years, Melvyn Bragg has been the highly-regarded presenter on the celebrated South Bank Show on Independent Television. He has carved out a niche as an esteemed arts pundit. A new series, Written Britain has just started this month on ITV and Bragg also continues to work for BBC radio. All this in parallel with his other career as a writer. There have been biographies of famous actors, books on the English language, tie-ins with television programmes and some 20 novels, the first appearing back in 1965.

The new novel is big — some 550 pages — and contains much material that is patently autobiographical. Joe Richardson, one of Bragg’s central characters, is an Oxford graduate who gets a start in broadcasting in London in the Sixties and, at the same time, embarks on a career as a novelist and script-writer. One of Joe’s early novels is titled The Kingdom was Lost, whereas one of Bragg’s own was called For Want of a Nail.

The other central character is Natasha, a French student at the Ruskin School of Art in Oxford. Joe and Natasha meet when both of them are particularly vulnerable. He has been dumped by his north of England inamorata, Rachel; Natasha by a swinish American fellow-student called Robert.

Natasha, a withdrawn depressive, is quickly overwhelmed by Joe’s ardent appetite for life and, in short order, he arranges a successful exhibition of her work. He successfully sits his Finals and, almost immediately, the pair are launched into married bliss.

In fact, Bragg has recently revealed that the plot of his novel is fairly closely based on the story of his first marriage, which was painfully terminated by the suicide of his wife. Whatever raw power such a difficult story might have possessed is diffused by Bragg by his choice of narrative method an omniscient narrator — which precludes the possibilities of any Bank Credit Cards doubts or mysteries. This is a …continue reading

Singular sensation

Thursday, April 17th, 2008

Source: Tulsa World (Original Article)

Lynn Redgrave performs outstanding one-woman play

Mildred
Asher
lived a
most
ordinary
life.

What happened to her over
the course of her years wasn’t
a great deal different from
what many women of her
time and place experienced
— marriage, childbirth, death
of family members, regrets
large and small.

The only thing that others
might think of as special
about Mildred would be
her daughter, Rose, who
became an accomplished
actress and a lady with a
capital L, thanks to her husband.

But Rose was always
“Daddy’s girl.” Mildred’s
love was reserved for her
son, Mark, who like so
many young English boys
went away to war and never
returned.

No, what makes Mildred
Asher’s life extraordinary
is not the events, but the
way those events were told
— through the artistry of
actress Lynn Redgrave, who
presented her one-woman
play “Nightingale” on
Tuesday night at the Tulsa
Performing Arts Center.

Redgrave was in Tulsa for
one night only, presented
by the Oklahoma Center for
Poets and Writers. She presented
the play in “reader’s
theater” fashion — no sets
or costumes, no special
lighting, just a lectern with
the script and a stool — but
little more was needed

than
Redgrave’s voice to give life
and presence to a family of
characters.

“Nightingale” was inspired
by Redgrave’s grandmother,
and her discovery
that her grandmother’s
name had been scrubbed
from her headstone by time
and acid rain.

She went in search of that
grave in the wake of her
own divorce — “It’s over,”
are the fi rst words spoken.

“Who am I, now that I am no
longer a wife?”

As Redgrave never knew
her grandmother well, she
begins to invent a life, giving
her a new name — Mildred
Asher — and weaving in the few bits of information she
had heard about Drew Carey dvd her grandmother
into this imaginary
woman’s …continue reading

Connie Terwilliger Gives Three Script Pointers in New Voice Acting …

Wednesday, April 16th, 2008

Source: Newswire Today (press release) (Original Article)

NewswireToday - /newswire/ -
London, Ontario, Canada, 04/16/2008 - Connie Terwilliger discusses three tips for voice actors while interpreting scripts and ad copy in her most recent episode on the Voice Over Experts Podcast at Voices.com.

National voice over talent and instructor Connie Terwilliger is the featured presenter this week on the Voice Over Experts Podcast sponsored by Voices.com, the most downloaded and subscribed to educational podcast for aspiring and professional voice actors on the Internet.

In Connie Terwilliger’s most recent podcast “Three Script Pointers”, students will learn how to see the big picture and then break it down into individual parts, phrases, sentences and words to unlock the writer’s direction between the lines. Connie explains that it is the voice actor’s job to figure the script out and follow the breadcrumbs to the right interpretation in the subjective art of voice acting.

As a regular contributor to the Voice Over Experts Podcast, Connie Terwilliger helps professional and aspiring voice actors alike to understand, develop and succeed in the new exciting world of voice-overs online. Conveniently located online in the form of MP3s, the lectures can be downloaded and listened to at the leisure of the audience, perfect for those who are new voice acting and want to catch up quickly as well as those who prefer to check the podcast out before subscribing to the show.

The Voice Over Experts Podcast can be found in the iTunes Podcast Directory and online at the Voices.com Podcast Center.

About Connie Terwilliger

Connie Terwilliger is one of the most well known names on the Internet when it comes to female voice talent. She’s been online with an Internet presence since 1996. Connie did her first official voiceover work on air at KCOE-FM while in college in Cedar Rapids Iowa in 1972. After getting her Masters in Radio and TV at Indiana Bank Credit Cards University, she started a long career …continue reading

Street Kings

Sunday, April 13th, 2008

Source: Globe and Mail (Original Article)

Street Kings

Directed by David Ayer

Written by James Ellroy, Kurt Wimmer and Jamie Moss

Starring Keanu Reeves, Forest Whitaker, Hugh Laurie and Cedric the Entertainer

Classification: 18A

Rating:

S
treet Kings is a bad-cop, worse-cop movie starring Keanu Reeves as a Los Angeles police detective who gargles vodka and sleeps in his uniform. At first, we figure Keanu is the worse cop – burned-out Tom Ludlow would rather murder suspects than take them down to the station. Avoiding paperwork is fine with his commander, Captain Jack Wander (Forest Whitaker), who believes in “exigent” police work. “You’re the tip of the spear, man,” he tells Ludlow.

When Ludlow’s estranged partner – a squeaky-clean crusader – is gunned down, Internal Affairs investigates Wander’s unit. Ludlow is the lead suspect, although the more we see of Capt. Wander, the more we wonder which end of the spear is doing the killing.

Ludlow and Wander’s relationship is similar to Capt. Dudley Smith’s and officer Bud White’s unholy alliance in
L.A. Confidential. No surprise there. James Ellroy wrote the novel
L.A. Confidential, and he provides the original screenplay to
Street Kings.

Twenty years ago, that would have been a good thing. Ellroy’s
L.A. Quartet (1988-92) is one of the best series in the history of crime fiction. Unfortunately, after those four novels, which included
L.A. Confidential, the demon dog of American letters went on to pursue bigger game: the lucrative American underworld where mob soldiers and CIA spooks make a killing. What has followed is a dismal series of novelized he-man events – the Bay of Pigs, the JFK assassination – in a first-grade-reader prose style.

Ellroy is back working the L.A. cop beat interest rate calculator in
Street Kings, but the hairy-chested …continue reading